Maryann Mussared is a professional artist based in Canberra, Australia.  She studied textiles, printmaking and papermaking at the Canberra School of Art for three years before completing her Bachelor of Applied Arts at the College of Fine Arts at the University of New South Wales in 1997.   She has a studio in an old farm cottage located in the gardens of  the homestead at Strathnairn Arts Association in north-west rural Canberra.  

Her practice combines mixed media and applied techniques, acrylic glazes and pigment on canvas,  gilding and collage with handmade paper, most often combined with spontaneous and repetitive mark making such as subliminal writing and Pitman’s shorthand.  She explores a number of ideas through her work, such as the pressures of the fast pace of modern life and how new technology is allowing us to be flooded with too much information.

Explaining her limited palette and dedication to the repetitive mark, Mussared says that during the early 1990s she was training as a textile designer and screen-printer at East Sydney Tech.  This came to an abrupt but welcome halt when she was offered a place at the Canberra School of Art in 1994.

“I started producing mono-tonal works in a variety of media about ten years ago as a reaction to the previous years producing richly coloured and decorative textiles in multiple colourways.  So it has been a bit of a ‘love/hate’ relationship with colour as I have tried to avoid letting it get in the way of what I was trying to express.

“I have dallied with pure white (More Swanky Hankies, 1996), the many tones of blue obtained with indigo dyeing (Tomodachi, 1998) as well as a range of tones in the process of dyeing both paper and fabric with oxidizing rust (New Ground 1994, Putting it in Print 2000 and Still Cryptal Orchard in 2002). This in turn has led me to work in a minimalist style with a limited use of colour.  Spontaneous and repetitive mark-making has also become an important focus for recent work.  These refer to a former life as a formally trained stenographer and use of Pitman's shorthand, my long-time interest and earlier professional training in the screenprinting on fabric process and the unique and spontaneous marks created through the process of shibori and studying the writing of the Japanese language using hingara and kangi” says Mussared.

Mussared has spent extended period living overseas including UK, USA, Germany and France.  While a student at the Canberra School of Art, she was part of the Canberra School of Art’s cultural ambassadors program to the Kyoto Seika University.